Stravinsky dedicated Duo Concertant to Samuel Dushkin, a well-known violinist he met in 1931. The fourth movement, Gigue, tends toward the Italian flowing triplet motion of the Baroque gigue, with an exciting central section in which the two instruments play in different meters. Stravinsky: "For many years I had taken no pleasure in the blend of strings struck in the piano with strings set in vibration with the bow. We are excited to announce that the Bowl will be reopening this summer. This work is available from Boosey & Hawkes for the world. Stravinsky dedicated Duo Concertant to Samuel Dushkin, a well-known violinist he met in 1931. The Duo concertant received its first performance in October 1932 in Berlin, and became a … This site uses cookies to offer you the best possible experience. The impetus for this piece came from neo-classical literature and this is reflected in the names of the movements: Cantilène, Eclogue 1, Eclogue 2, Gigue, and Dithyrambe. Eglogue I opens with a drone on the violin, and some of the ensuing violin parts are reminiscent of L'Histoire du soldat. Like the contemporaneous Violin Concerto, the Duo concertant employs older musical forms as a framework for the composer's unique harmonic palette and trademark rhythm syncopations. Source for information on concertant(e): The Concise Oxford Dictionary of Music dictionary. Duo Concertant for Violin and Piano (1932) Suite italienne (from Pulcinella), for cello and piano (1932/33) (in collaboration with Gregor Piatigorsky) Suite italienne (from Pulcinella), for violin and piano (1934) (in collaboration with Samuel Dushkin) Preludium for Jazz Band (1936/37) Since he was often invited to concerts, and since he would be able to attain this goal most effectively by the composition of chamber music that was easy to perform and required small numbers of instruments, he composed the Duo Concertant for himself and the violinist Samuel Dushkin inside the space of six months between December 1931 and 15th July 1932 for a planned tour of Europe and America. and pf. Read more about David Bowlin. Royal Concertgebouw Orchestra / Pierre Boulez / David Pittman-Jennings / Chris Merritt Moses und Aron (1996) Composed: 1932, unfinished: Composed: 1932, unfinished: 764: 764. The centrepiece was Duo concertant which Stravinsky completed in 1932 as his only original composition for violin and piano. In addition, Stravinsky made several arrangements for violin and piano of earlier works, such as the Divertimento and the Suite italianne. 'Duo concertant' 1932 is Stravinsky's answer to his distaste for the pairing of violin with piano: each instrument is treated equally in a true 'duo concertant' fashion without regarding the blend of sound and Lin and Schub produce some of the finest cohesive interplay ever heard with this challenging work. 1 in D Opus 19 & Stravinsky Duo Concertant (1932) Artist(s): Joseph Szigeti (violin), Roy Bogas (piano) Label: Mercury Living Presence Stereo 4 – 1908 The composer premiered the work with Dushkin in Berlin in 1932, and the pair gave recitals together across Europe for the next several years. He had, until then, not really been interested in writing a work for violin and piano, finding the coupling of an essentially lyrical instrument with a percussive one unappealing. Duo Concertant for violin and piano (1932) Cantilène. Here, the lyricism Stravinsky strove for in the Duo is abundantly and quite beautifully realized. Boosey & Hawkes. Pas de deux. The Violin Concerto in D was the first product to result from this relationship, and Dushkin performed the Concerto in numerous countries with the composer conducting. But, as the composer wrote in his 1935 autobiography, Chronicles of My Life, “A deeper knowledge of the violin and close collaboration with a technician like Dushkin had revealed possibilities which I longed to explore.”. The composer premiered the work with Dushkin in Berlin in 1932, and the pair gave recitals together across Europe for the next several years. 1, Joseph Szigeti Plays Prokofiev & Stravinsky, Levon Ambartsumian Plays Stravinsky & Bartok, Igor Stravinsky: Works for Violin & Piano, Karol Szymanowski: Mythes; Sonate, Op. “My object,” wrote Stravinsky, “was to create a lyrical composition, a work of musical versification, and I was more than ever experiencing the advantage of a rigorous discipline which gives a taste for the craft and the satisfaction of being able to apply it – and more particularly in a work of lyrical character.”. The composer premiered the work with Dushkin in Berlin in 1932, and the pair gave recitals together across Europe for the next several years. ¿Hablas español? The two toured as recitalists in 1932-34, and Stravinsky early on saw the need for one of his own works to be part of the concert program. (Dushkin extracted the violin parts from the orchestral scores; Stravinsky made the piano arrangements.) He has also annotated programs for the Hollywood Bowl, Los Angeles Opera, and the Hong Kong Arts Festival. Credits from Duo Concertant ‧ Baal Shem ‧ Pastorale E3: Recorded 1945, composed 1932. Stravinsky, worried about an upcoming tour of the United States and Europe with Dushkin, wanted a work that he could use in smaller cities whose orchestras couldn’t cope with his idiom. The Duo concertant received its first performance in October 1932 in Berlin, and became a regular feature on Dushkin and Stravinsky's recital programs. STRAVINSKY: Duo concertant (1932) WEBERN: Four Pieces for Violin and Piano, Op 7 Joseph Szigeti ∙ violin Naum Sluszny ∙ piano Recorded ∙ 27 April 1958 ∙ Asnières sur Oise ∙ Royaumont Abbey ∙ RTF ∙ Live Recording. Duo Concertant is a 1932 composition for violin and piano by Igor Stravinsky. Stravinsky dedicated Duo Concertant to Samuel Dushkin, a well-known violinist he met in 1931. View credits, reviews, tracks and shop for the Vinyl release of "Violin Concerto No. The pair also performed the work during a visit to Los Angeles, about which Stravinsky scholar Stephen Walsh writes in his essay on Stravinsky in L.A. . a) Adagio. c) Coda . For details on how we use cookies, see our. 9; Stravinski: Duo concertant; Suite italienne, Stravinsky: Composer & Performer 1930-1950, Vol. Eglogue II is much more slow and contemplative, featuring, for the first time thus far in the piece, some interplay between the instruments. F. Fanfare for a New Theatre – 1964 Faun and Shepherdess – 1907 Fireworks, Op. Written: 1931-1932; France . 2, Max Rostal Plays Schubert, Schumann, Debussy, Stravinsky, Stravinsky: Suite Italienne; Duo Concertant; Divertimento, Stravinsky: L'Oiseau De Feu Ballet; Pieces Nos1-03, Stravinsky: L'oiseau de feu No2; Duo Concertante, Vivaldi/Respigh: Sonata in D major; Stravinsky: Duo Concertante; Mendelssohn: Sonata in F major. The Duo was originally conceived as a sort of concerto without orchestra. The Duo concertant received its first performance in October 1932 in Berlin, and became a regular feature on Dushkin and Stravinsky's recital programs. Customer Reviews. Stravinsky was introduced to American violinist Samuel Dushkin in 1931 by Willy Strecker of the publishing firm Schott, Mainz. centerpiece of the tour program was the Duo Concertant of 1931-1932, but to round out the concert, together they arranged excerpts from some of his ballets, including The Firebird, The Fairy’s Kiss, Petrushka and The Nightingale. Of the work’s movement titles, all but one are poetic, rather than musical, terms (the exception is the Gigue, the Duo’s fourth section). Learn More. In addition, Stravinsky made several arrangements for violin and piano of earlier works, such as the Divertimento and the Suite italianne. Duo concertant (1932) for violin and piano. Dushkin and Stravinsky gave the Duo concertant its premiere in Berlin – hardly a city known for a poverty of orchestras – on October 28, 1932. Suite italianne are reminiscent of L'Histoire du soldat an antipathy toward the combination of violin and piano of works! The nature of his Duo Concertant was composed in 1932 and shortly thereafter performed Berlin. Musical forms and idioms of the publishing firm Schott, Mainz ; a term preferred to or! The work, as its title suggests, adheres to the principle of balance between two equally solo! Enjoyed his close collaboration with the violinist when working on the piano arrangements. Angeles Opera and. 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