In Soviet montage theory, as originally introduced outside the USSR by Sergei Eisenstein,[1] it was used to create symbolism. In Stachka (1924; Strike), for example, the director Eisenstein, to whom the theory of ideational montage is credited, effectively conveys the idea of slaughter by intercutting a shot of cattle being butchered with shots of workers being cut down by cavalry.
This cutting on motion facilitates the smooth replacement of one image by the next. After the introduction in the mid-1950s of CinemaScope and other widescreen formats for motion pictures in theatrical release—a technological innovation intended to highlight the value of the large-screen theatre experience in contrast to the then small-screen home medium—these works were later altered for television release.

While the television presentation of motion pictures varied in different countries, in the United States it was common on commercial broadcast channels to divide up the screening with frequent commercial breaks. In graphic montage, cutting usually occurs during shots of movement rather than ones of static action.

Montage refers to the editing of the film, the cutting and piecing together of exposed film in a manner that best conveys the intent of the work. Only if an object is presented as part of a synthesis, he said, is it endowed with filmic life. Our editors will review what you’ve submitted and determine whether to revise the article. "Scroll montage" is a form of multiple-screen montage developed specifically for the moving image in an internet browser. Within several years, projectors capable of enlarging the image on a screen in a theatrical space had been developed. [13], The music in these training montage scenes has garnered a cult following, with such artists as Robert Tepper, Stan Bush and Survivor appearing on several '80s soundtracks.

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For example, the Rockytraining montage.
“Montage of Attractions” in The Film Sense. It plays with Italian theatre director Eugenio Barba's "space river" montage in which the spectators' attention is said to "[sail] on a tide of actions which their gaze [can never] fully encompass". In a matter of moments, with images cascading across the screen, he was able to show Jeanette MacDonald's rise to fame as an opera star in Maytime (1937), the outbreak of the revolution in Viva Villa (1934), the famine and exodus in The Good Earth (1937), and the plague in Romeo and Juliet (1936). The motion picture thrived in the first half of the 20th century as a mass medium centred on theatrical exhibition. Songs like Frank Stallone's "Far from Over," and John Farnham's "Break the Ice" are examples of high-energy rock songs that typify the music that appeared during montages in '80s action films.

After the Russian Revolution of 1917, Soviet films were encouraged for their propaganda value, but film stocks were scarce. Cinematic Montage An animated slideshow created from your photos that you can present to your guests on your wedding day.